Favourite books of 2025

[Graphic novels get their own post here!]

My favourite - mostly queer, SFF & historical - books I read this year. It was a rough year and there’s so much horrific news for marginalised people of many kinds, I mostly read purely for fun to bolster my morale, and made a real effort to just not finish books I wasn’t vibing with - it meant I found a TON of books I really loved this year!!!

Almost all read on audio via libro.fm - extremely smooth to use & affordable while also supporting bookshops - and I tend to only read if I like the narrator. I’m trying to make a habit of giving them their due credit!


Thoughtful SFF that stuck with me

Favourite Audio:
The River Has Roots - Amal El-Mohtar

Little 3-hour queer fae folktale!! I heard the author speak wonderfully on a Cymera (Edinburgh SFFH book festival) digital panel, and discovered this is a retelling of the folk song The Bonny Swans, drawing on her own time living in Dartmoor as well as her childhood in Lebanon.

The audio version has this AMAZING music of Amal and her sister actually singing traditional songs from both cultures, as well as the Palestinian resistance song Tarweedeh Shmaali. I normally really don’t go in for extra sounds on audiobook, but this is just perfect and adds so much - I believe it was designed for audio, it’s extremely well-produced. Listen if you want something short and lyrical, melancholy and calm and, uh, revengeful.

Great audio by Gem Carmella, et al.

Most mindblowing:
The Spear Cuts Through Water - Simon Jimenez

TAPESTRY of a story which does something I’ve never seen before, seamlessly switching POVs through first, second and third person and moving in and out of characters including briefly into strangers’ heads, making it feel truly mythic and wide-reaching. The effect is feeling everyone’s small human concerns and flaws linked together and tied up with the big scale world.

There were parts where I was less engaged and parts that were hard to read around disabled characters because they were SO dark, but it felt so worth it for the bits I found riveting and incredibly affecting and inspiring. What a treat to have read!!!!

Solid audio by Joel De La Fuente

Favourite short stories:
Salt Slow - Julia Armfield

I don’t usually get on with the more literary end of SFF, but I’ll make an exception for Julia Armfield and her incredible prose, sad wet lesbians and poignant beautifully written reflections on womanhood.

Great audio by Kristin Atherton


Entertaining SFF I was obsessed with

Probably my favourite read of the year:
The tainted cup (& sequel) - Robert Jackson Bennett

I would read ten more of these insane books. Left me bereft and still thinking about the characters for a week after finishing. Won several big awards and I can see why.

Both SF and F. MURDER MYSTERY. Everything’s BUGS and eldritch moss. Gruesome (compliment). Set in a big weird bureaucracy full of genetically-altered people, plants, fungi and sort of unknowable horror kaiju looming in the distance, the plot is wild but it’s so masterfully introduced it feels totally natural. Follows a detective duo: an incredibly offputting old woman who’s also perfect and amazing, and her assistant, big sad poetic bi man.

The first book has strong threads about being neurodivergent or disabled in a world that rarely accommodates you, as they’re forced to work within their limitations inside a very flawed system, which just felt incredibly real and touching. Also sometimes it throws in a line about some bit of incredible and deeply fun worldbuilding like a guy who never stops growing like a lobster. YMMV with the prose/ humour, but you’re in for SUCH an incredible treat if it’s a book for you.

Great audio by Andrew Fallaize, I absolutely love the voices for both MCs.


Almost all of Murderbot - Martha Wells

Everyone was right about how good these are. I love you ART. I love you Mensah. My favourite is when Murderbot claims not to be having an emotion and everyone around is reacting very intensely, because it’s clearly having so many emotions.

Addictive reads that get even better as they go IMO - you just desperately want this robot to have friends, self-acceptance and emotional fulfillment - totally tantalising, so emotionally compelling. Definitely feels like it’s partly about someone trying to ‘pass’ as normal, and has genuinely meaningful platonic relationship arcs which are just great to read. Very SCI FI + a bit horror which I love, set in a bleakly realistic-feeling military-corporate future where groups still strive for positive things - which helps the mood feel very ‘things are bad, but you can still make a difference and do good’ which I found really comforting and necessary at the moment.

Solid audio by Kevin R. Free, but also reads well in book form, which you might prefer if you want no gender implications


A lot of Aubrey-Maturin (Master & Commander series) - Patrick O’Brian

I’ve been listening while working, for reasons that will become obvious with certain upcoming announcements.

These books famously have a lot of intense nautical terms, but I was surprised by how much repressed relationship drama there was between?? Both the main characters are so deeply insane and wildly flawed and fascinating and don’t communicate their feelings, and yet the unspoken emotion occasionally comes across with perfect clarity in a single described gesture or fantastic sentence??

The complexity of the on-ship power struggles and off-ship romances they get entangled in - and various ensuing agonies - feel so real and also knee-jerk, I’m briefly transported into seeing deep into the heart of the human condition. It’s wild.

There’s also a debauched sloth, and I’m so interested in Stephen as an ex-Irish-revolutionary who’s now very driven to do good on a personal level, but unmoored from wider revolutionary politics... And occasionally voicing like ‘yeah I love a mutiny’ to the captain, literally on board an 1800s British Navy ship is so funny. Just like a bizarre scrungly confidently clueless weirdo, love him.

Was skeptical about everyone saying they’re the ‘best historical novels of all time’ but the more I read the more I’m… ok… I do get it actually. Am I aging into a nerdy fantasy dad taste in books? MAYBE.
———————————

+Honourable mention if you’re this kind of nerd (I comiserate):
Guns of the Dawn by Adrian Tchaikovsky for 600+ pages of gripping, character-driven napoleonic-ish (anti)war novel in a low-magic fantasy world about women being drafted to the front lines + 20% Jane Austen energy.


Fun queer romance / SFF adventure

I’d call this queer romance, in a fantasy world:

The traitor and the wretch - Jasmine Walls

Full disclosure, I’ve hired the author for editing & enjoyed her comics/ GNs before - there’s also a handful of interior illustrations by Rowan MacColl, who also did guest art for Into the Tower and Night at the Vampire Castle.

Consequently, I was very INTRIGUED to read this indie release, even though I wasn’t sure if gross henchman romance would work for me or be my thing, but guys: IT REALLY WAS. Obsessed with traumatised escaped cultist/ hot little freak Knell, would die for him!! It’s a very character-focused delicious backpack fantasy (cave edition), but I also loved the setting!! The glimpses of the world we do get to see felt really cohesive and interesting, moreso than most 2nd world fantasy romance. Grimy and sweet and tons of fun, made me laugh out loud and stay up way too late reading.

 

Sorcery and small magics - Maiga Doocy

Queer fantasy, two guys at magic university go into a magic forest, but the star here is the very slowburn rivals-to-intense-chemistry (part of a longer series, so not yet wrapped up). I love that they actually do hate each other and the author’s not afraid to make the MC genuinely kind of a tool. If you’re a Serious Fantasy Reader (me) you might find the world and pacing a bit nonsense - but that didn’t bother me at all since it was so engaging and the writing was so fluid and lovely. Recommend if you’re looking for something that reads like delicious fanfic.

Great audio by Ciaran Saward



I’d call this SFF, with queer romance in it:

Hammajang luck - Makana Yamamoto

Marketed as a space lesbian heist, it’s worth going in knowing this is driven by delicious character stuff more than stressful twisty tension. Even though I didn’t know what to expect, that didn’t matter to me at all because I just loooooved reading it!!!!!!! I love the MC!! Their family struggles felt so real!! IT COMPELLED ME!!! I was constantly delighted by how it unfolded!! Also shoutout to the great audiobook, I think hearing the pidgin said out loud probably adds another nice layer to it.

Could do with a lot MORE books with nonbinary butches bringing down tech billionaires with their gorgeously bitchy ex-best-friend they have mad chemistry with and a ragtag group of loveable lesbians actually

Great audio by Jolene Kim



 

Honourable mention for Tomb of dragons by Katherine Addison, the newest in a series I’m obsessed with and try to tell everyone about at any opportunity.

A sad gay death priest possessed of an exquisite, thoughtful and solemn kindness goes around methodically solving murders and problems, and you just desperately want things to go well for him. Can’t in good conscience recommend if you’re not a fantasy person, but if you’re ready to get in the zone, these are some of my favourite books ever.

Really good audio by Liam Gerrard


Favourite 20thC classics

Passing - Nella Larsen - 1920s Harlem, US

Short, incredible, haunting classic. You learn about a light-skinned black woman who ‘passes’ as white and married a racist - via the childhood friend who was always drawn to her as their lives ominously intersect.

A friend recommended for the queer-feeling undertones, but even without that interpretation, I just found it incredibly gripping and beautifully written.

Great audio by Amaka Okafor

 

Giovanni’s room - James Baldwin - 1950s Paris

Just the most spectacular writing. To me, it feels like it’s about queer desire threatening to derail a privileged white american’s life, and his inability to let that life go.

Paints this intense intimate portrait of a city and a person in a way only prose can. Moments of emotional terror, the rare instant chemistry of really falling for someone, and some scenes of sex and romance completely driven by anguish that feel incredibly vivid. An often bleak but always beautiful slice of humanity, that seems to cut effortlessly to the raw emotional truth of every scene. Beautiful, painful, poignant, immersive, drove me insane (which I say as a compliment).

Great audio by Kevin Young

 

Honourable mention: Brideshead Revisited by Evelyn Waugh - fancy 1920s England

HAD I previously read this at a young queer formative age, or did I just watch both adaptations? Formative as it was, I can personally only get so much out of Evelyn Waugh’s historical sad rich people ennui where gay men end up exiled or ruined, but it’s so well written I still enjoyed it a lot.

Great Jeremy Irons(!) audio

Yes these classics ARE all at-least-kind-of-queer poignant semi-tragedies, now I think of it!!!

 

Favourite YA prose

Not for the faint of heart - Lex Croucher


Honestly I partly read this because we were doing another talk together, this one at the British Library(!! virtually for me obviously, due to the large disability) but it was my new favourite of theirs. Possibly because it has quite a lot of adventure plot, really good lesbian chemistry and it’s mostly set in a forest. I’m just awed how much real thorny emotion AND very funny jokes they’re managing to squeeze into basically every sentence!!!!!! Just a very powerful romcom author

 

The Butterfly Assassin - Finn Longman

I wouldn’t normally read anything even near the YA thriller genre, but I’m so glad I did - this grim violent plot in an alternate reality about a teen assassin trying to escape that world was a weirdly very cathartic/ comforting read full of incredibly real-feeling emotions and descriptions around chronic pain. The author has some adult stuff coming out I’m now very interested to read!!

For lots more YA, see the comics list.

 

Favourite nonfiction

Braiding Sweetgrass - Robin Wall Kimmerer

SHOULD HAVE READ THIS LONG AGO!! ESSENTIAL READING!! Realised a whole lot of quotes I’ve seen and saved over the last few years are literally just from this book.

The ideas link together beautifully - if nothing else, it feels so crucial to be reminded methodically that destructive (over)consumption is something culturally-specific, recent and colonial rather than an inevitable, unchangeable way of the world.

Even on grim climate subjects, the writing feels calm and thoughtful and deliberately, relentlessly filled with hope, made me cry.

Goes over points a bit, but I honestly think that’s part of reinforcing and weaving new strands into the tapestry worldview it’s creating - and it’s a great mindful exercise in slowing down to give it the time and consideration it deserves.

Wonderful audio read by the author.

Favourite book on writing I’ve ever read:

Refuse to be done - Matt Bell

Every writer I know who’s read this immediately insists on getting a copy and recommending it to all the writers they know, which is how I found it. Easy to understand but not beginner-feeling, non-patronising, practical, flexible, and reassuring.

 

The illustrated nonfiction I was most excited about was probably CARVED IN STONE, over in the graphic novel post!


Thanks for reading (this, and generally!)

If you have recs in similar areas or OPINIONS on these books, I’m always keen to hear book recs & thoughts over on bluesky.

  • You can find more on my goodreads here (5 stars for ‘loved reading’, everything else ‘nuance’)

  • And a blog about the books I’m currently working on / what I’ve been up to in 2025 here.

Lastly thank you to everyone who’s already got a copy of (or got their library to get!) my new choose-your-own-romance book Night at the Vampire Castle.

I’m always so delighted to hear which romance and route people played first, or achievements or surprises they encountered. Rating, reviewing or recommending ANY book to a friend if you enjoyed it really does make a big difference, you are very sincerely appreciated!!

Favourite graphic novels of 2025

See my other post for favourite words books - this is the Comics Yelling Zone.

2025 Favourite graphic novels
(released as YA):

Look, I’m just going to say it: a lot of my favourite graphic novels are by webcomics people. They’ve gone through the gauntlet, they know how to make a comic that sucks you in, and at their best, webcomics are unusual and ambitious and passionate and weird and unconstrained by genre or publishing trends. I actually do not want focus-grouped IP media reinventions honed into smooth technical competence and homogeneity, I want to feel something. Also, a lot of webcomics are really queer.

Am I biased? Undoubtably. Am I right that there were some absolute GN bangers out this year from people who began or indeed were massive in webcomics? YES.

Hunger’s Bite - Taylor Robin

Hey are you on the side of service workers crushed under the boot of capitalism? Do you love to see society’s horrors literalised through the supernatural?

Literally what ELSE could anyone want to read but characters struggling against insiduous horror-capitalism with a gay vampire mystery investigator on a (20thC historical-ish) ship?? The answer is, that there’ll be a second one which is on a TRAIN!!!!

Incredible comic flow and use of the form, art that perfectly serves the themes, plot & character, brilliantly creative use of shape languages that draws from pulp and sometimes at key times, cubism. Also, if you’ve ever been overworked by a terrible boss it’ll emotionally punch you in the face (compliment).

 

FLIP - Ngozi Ukazu

Although this author is famous for her webcomic, I actually love her recent graphic novels more - they feel so grounded and personal and I devoured this one in one sitting.

In Flip, a nerdy Black girl on scholarship at a fancy school body-swaps with her white boy crush and it kind of forces her to reckon with her self-loathing. Such an ambitious concept requires the reader to pay a bit of attention, but it’s really powerfully explored as well as just extremely fun to read. The MC’s struggles with self-scrutiny are SO tangible and heartbreaking - really HITS emotionally, goes places that are emotionally messy and hard and even dark, certain scenes have these layers of nuance the reader is left to unpack fully, which I absolutely loved.

 

Strange Bedfellows - Ariel Slamet Ries


Atmospheric dreamy future-romance where a trans college dropout / gardener manifests his mysteriously lost crush into reality somehow out of his dreams.

Another absolute banger, deeply ambitious concept that goes wild places and demands you pay a little attention. You’re really thrown into the world at the start, but trust the storytelling and it all links together and becomes clearer and incredibly emotionally intense towards the end, genuinely heart-pounding storytelling. Really fun actually-hopeful sci fi world, imaginative story and emotions that go incredibly hard, I just love this author’s comics.

 

Hello Sunshine - Keezy Young

GRIPPING, genuinely scary, both heavy in parts and beautiful and made me cry, I stayed up very late reading. Everyone should read this to understand severe mental illness better - ESPECIALLY any fan of the horror genre - but it’s also just a ride.


Almost 400 pages with a juicy amount of panels per page, this deliciously rich graphic novel gives you the chance to get to know each member of the cast as they look for their missing friend, finding increasingly unnerving things in his house. The art style and texture is perfect for horror. The story both nails the supernatural genre stuff AND extremely cleverly and clearly delineates the reality of the MC’s mental illness.



No book I’ve ever read has had such a vivid and empathetic portrayal of psychosis, which is brought to life with a masterful use of the comics medium. (To the extent that imo you might want to make sure you’re in the right headspace before reading, especially if you experience those things in whatever capacity.) Truly a testament to what comics can do, truly hope it reaches as many teens & adults as possible.

 

Honourable mentions I might not be the target for but enjoyed a lot:

  • On Starlit Shores - Bex Glendining
    A very beautiful melancholy/ haunting debut, magical realist in a seaside town energy

  • Angelica & the bear price - Trung Le Nguyen
    
Young-ish YA feeling, great for anyone who wants something comforting that looks amazing and still feels nuanced, grounded and emotional

Honourable mentions: art I’m obsessed with

  • The raven cycle #1 GN adaptation, drawn by Sas Milledge

    It’s hard to adapt beloved YA prose to comics and you have to let them be their own thing, but this worked very well imo. I’m particularly in love with this artists’ style of Everything.

  • Verse #3, by Sam Beck

    This cycle of graphic novels was originally a webcomic, and just has the most beautiful evocative fantasy landscapes and world to get lost in. After some publishing difficulties, the 3rd and last book was finally out this year, honestly I just love looking at them when I want to feel inspired about fantasy as a genre!!

pics by Sas Milledge and @ablueboxfullofbooks

 

Favourite manga

The guy she was interested in wasn’t a guy at all - Sumiko Arai (2023-)

Really lovely art!! Sweet gay friendship+ between two girls who love old US rock music, probably enjoyed more than any other high school manga I’ve read. Gets deep into the everyday but overwhelming emotions and their love of music (enough that you won’t even mind they’re listening to something considered alt in Japan but not here, like… the Foo Fighters).

 

Favourite MG / kid-friendly

GO-MAN #1 by Hamish Steele.

He’s done it again… just incredibly well plotted and entertaining to read, effortlessly combining pop references while feeling like its own cool new thing. Made me laugh out loud, so much heart and depth. If you like fun or have ever enjoyed, I don’t know, any shounen or godzilla ever, you should try this - even if you don’t usually read comics in this age range.

 

Honourable mention: Sea Legs
This looks so breezy but it’s DEEP. Based on the writer’s own childhood living on a boat - which I think you can tell from the depth of experience and emotion - the story centres around the isolating and sometimes dangerous experience that could be, and her changing childhood friendships. Made me cry and think about the people who drift in and out of contact in our lives. Just empathetic and real and flows beautifully as a comic, really recommend.

 
 

Best non-fiction

Favourite memoir: Brittle Joints - Maria Sweeney
 (2024)

Full of stuff I wish everyone without longterm pain or physical limitations understood. My disability’s not similar, but lots of things resonated: everyday pain, struggles, sensory nightmare stuff, difficulties navigating barriers, reactions to ambulatory wheelchair use, dehumanising and inaccessible hospital visits.

Even the parts I don’t relate to myself all feel vital and vulnerable for everyone, and particularly vivid and real through comics. The medium gets so much depth of experience across in a way few others could.

 

Favourite NF comic:
Trans History: A Graphic Novel - Alex L. Combs, Andrew Eakett


WISH I COULD MAKE EVERYONE READ THIS! Gender is so deeply-integrated into society, it’s revealing to see how people seen as crossing or defying its boundaries have lived and been treated - and how deeply it links with those in power trying to control women, race and sexuality.

I truly believe understanding that history would make everyone’s world richer, and this book is a great way to do that.

Very easy to read, accessible and not too text-heavy - but also thoughtful, VERY well-sourced, full of stuff I didn't know. Great for teens or literally anyone who doesn’t want or have time to parse a dense textbook.

 

Favourite Nonfiction illustrated: CARVED IN STONE!!!!!

Atmospheric worldbuilding / ttrpg book meets an incredible easy-to-read but deeply researched very-illustrated history. Most of all, the book is incredibly FUN to delve into or flick through - if you’ve ever played a fantasy game where you travel across a landscape eat or stew round a campfire, read this book. It’s a treasure trove of beautiful, evocative detail that will answer questions about how people lived in the past here you didn’t even know you had: what did people eat, what were their houses and hairbrushes and storytellers like - how did blacksmithing actually work?

Full disclosure: I know and am good friends with a few of the people involved - naturally many are also based nearby in Scotland, and some (Anine Bösenberg, Letty Wilson, Sajan Rai & Tiff Baxter) are artists I’ve commissioned for guest art for Into the Dungeon, Tower and/or my Vampire Castle books, because I’m deeply obsessed with their work. Many of us in adjacent scenes have been watching with huge excitement as this project was developed over the last few years. Even then, the final result blew all my expectations out of the water.

This illustration by Letty Wilson

The many wonderful illustrations and evocative, playful and flexible text give such a POWERFUL sense of how it might FEEL to be living in the 7th century here: cold Scottish rainforests, misty shorelines, smoky byrehouses. Produced in partnership with various academics and called ‘the best book on the Picts ever written’ by someone at the National Museum of Scotland, it has a real depth of knowledge, but also the MOST fantastic illustrations that - and I know this is a cliche - genuinely bring the past to life in a way I’ve not seen before.

In a depressing age where genAI ‘slop’ is word of the year, there’s nothing I appreciate more than the thoughtful, intentional human labours of love this book - and all the books in this blog - represent.


See also:

For more illustrated books, I ought to mention for anyone who missed it, my choose-your-own romance Night at the Vampire Castle just came out, my own queer regency romance graphic novel I Shall Never Fall in Love was up for some awards this year (thank you!!) and you can hear about my upcoming books (I believe soon) in my newsletter.

Favourite books & comics of 2024

  1. Favourite prose (words) books

I mostly read queer romance and/or fantasy, and via audiobook where possible (using libro.fm who I highly recommend!) - so the majority of these also have GREAT audio versions.

Three recent books I was absolutely obsessed with:

This year I felt very lucky to read a few books I absolutely loved. These main three are all historical, fantastical and/or mythical-feeling books with queer characters. They’re probably at the more literary end of what I usually read, but you don’t need to know anything about the settings to get into them. They all had lines, concepts and imagery that really stayed with me, and felt like the writers were masterfully executing bold and challenging visions.

  • WHEN WE LOST OUR HEADS - Heather O’Neill

Set in 1870s Canada from opulent parties to factories and brothels, this book really revolves around two girls (named after Marie Antoinette and the Marquis de Sade, though it doesn’t really come into it) who are passionately, psychosexually obsessed with each other. Early on, one takes the blame for a murder the other committed, and things get dark and weird.

Told like a TALE in a very unique way, this just goes really hard and I loved the prose style. The ideas and class thoughts felt so elegantly put. Un-squeamish, sometimes horrible and sometimes exuberant, inspiringly bold and dramatic.


  • THE SAINT OF BRIGHT DOORS - Vajra Chandrasekera (audio: Sid Sagar)

I was just obsessed with the prose in this book which blew my mind, and was made even better by an incredible narrator.

This is a difficult to describe, winding mythic journey through a complex, vibrant but caste-divided, violent-bureaucracy-hell of a city, and the quarantine/prisons and hinterlands beyond. Spans big-scale politics and religion while written from this personal view of someone caught in it all.

The world is very South Asian (drawing on some Sri Lankan & Buddhist stuff particularly) but my very patchy knowledge there didn’t stop the book feeling incredibly resonant, extremely real and bitingly funny. It has these perfect absurd moments that describe the awful reality of terrible things and predatory systems incredibly well.


  • SHE WHO BECAME THE SUN and He Who Drowned the World - Shelley Parker-Chan (audio: Natalie Naudus)

‘Politics with battles’ slight-fantasy genre in 1300s China with THE most emotionally devastating and amazing character writing. The first book (of the duology) won all the awards in 2021 and I’m not sure why it took me so long to read. I believe the author said they wanted this to feel like a very queer addictive Chinese historical drama and they really succeeded.

It has these incredible, agonising portrayals of desire, grief, and the layers in the way people act, often against their own interests or surface thoughts. The explorations of repression, gender and connection are probably more raw and interesting than anything I’ve ever read - viscerally showing the relentless punishment these very different people are enduring from a world of unyielding gender roles. A lot of complex, horrible characters - tragic but relentlessly compelling.


Most fun read 2024:

SWORDCROSSED - Freya Marske (audio: Omari Douglas)

I just LOVE this author’s prose. For me, it’s a delicious treat to read this kind of queer romance - with moments of intense chemistry and luxuriously described, well-written intimate scenes - along with a low-fantasyish-intrigue plot moving along in the background.

It’s not a book with big magic worldbuilding - as it implies on the tin, it has character-focused, primarily-romance stakes that might not be for intense fantasy fans. But the character writing at its heart is so, so fun and absorbing (enough to get me very on board with a plot about the wool industry.)

 


(Side note, I was also EXTREMELY FLATTERED the author recently recommended my new book on Instagram?? Wildly surreal… I love your work, Ms Marske… thank you…!!!)


Favourite YA prose 2024:

ICARUS - K. Ancrum (audio: Kirt Graves)

An incredibly emotionally closed-off teenage art thief falls in love with the son of the person he’s supposed to be robbing. The MC is literally called Icarus: getting too close to the son/sun (Helios) feels like it’ll be Icarus’s downfall.

This slightly unusual book combines a real-world modern setting with a VERY dramatic fable-like premise and aching romance, all brought to life with a really economic, poetic prose style that I just really loved. The heightened teenage emotions feel very real and well-drawn, particularly the explorations of the MC's relationships with others. The themes of people coming together to help peers through a crisis really hit, and I teared up at the author’s note and some descriptions of the MC finally allowing himself these small moments of closeness.


Favourite reread:

SABRIEL and Lirael - Garth Nix (audio: Tim Curry)

I loved Garth Nix’s sometimes-grisly ancient-magic books as a kid (which possibly explains a lot about my personality and tastes.) I’ve really enjoyed revisiting this trilogy by gradually listening to Tim Curry(!!) read the audiobooks with my partner this year.

In some parts it feels clearly from an older generation of stories for young people - often in ways I like - but hints of the wider story elements, like nationalist politicians treating refugees as disposable, still feel terribly relevant 20 years on.

Most of all I just love the largely-deliciously-unexplained magic, horrifying dead creatures, dangerous libraries, and whole mysterious world beyond the wall. Something about the voices of the different ominous necromancy bells - that want to be rung and can cast you far into the world of death - has always been enormously evocative to me.

 

I don’t own these, but also discovered Tom Arnold did some extremely cool special edition covers for Daphne Press - these are his illustrations for Sabriel & Lirael.


2. Graphic novels & comics

While I can sometimes find YA novels a bit hit and miss, I absolutely love loads of what’s going on in YA graphic novels, especially with queer creators or storylines - and I’m quite up to date, so these all ended up being 2024 releases.

Apart from Bunt, which is primarily extremely fun, the ones I’ve highlighted (in no particular order) are ones I found most emotionally moving - conveying a coming-of-age, but in a grounded way that more broadly evokes big life changes, or the feeling of becoming yourself.

(More queer GN recs & longer reviews for Bunt here, Ash’s cabin and Brownstone here.)


5 favourite YA graphic novels 2024:

LEAP - Simina Popescu
Most emotional

A small-scale story about two friends at a very competitive dance school in Bucharest. I don’t know anything about dance and wasn’t sure what to expect, but this story was so direct and accessible and sucked me in.

The pressures on the characters are explored in such a grounded, nuanced way - school pressure, creative exploration, and whether to be out and to who in a changing but previously very conservative environment (both the dance world and Romania). The focus is small, but the emotions feel so big and I just found it so moving.


BUNT - Ngozi Ukazu & Mad Rupert
Most fun

To secure a scholarship, a college student has to put together a softball team and win one game with a team of art school nerds.

This is so fun, explores great themes, and comes from this incredible experienced team who both clearly know exactly how to make a great comic. The cartooning is so spectacularly good and dynamic it’s just fantastic, and very entertaining to read. So well-told it made me genuinely really care about a sports plot, which is really an achievement.


ASH’S CABIN - Jen Wang
Most evocative

Ash, a teenager who feels like they’re the only person who cares deeply about the climate, researches and (self-destructively?) runs away to face the harsh reality of survival in the wilderness.

Doesn’t end with a single strong ‘answer’ or wrap-up, but this melancholy watercolour story feels very real, raw, and beautiful.


BROWNSTONE - Samuel Teer & Mar Julia
Favourite art

A young teen spends the summer with the Guatemalan side of her family she barely knows.

Gorgeous drawings by one of my favourite comic artists ever, evoking a fantastic story with these beautiful moments about people finding ways to connect, which made me cry.


THIEF OF THE HEIGHTS - Son M. & Robin Yao
Favourite SFFH

Character-focused futuristic / dystopian story that centres class and disability in a way I found so emotionally engaging.

I especially loved the art of the emblematic world: a city with bright, expensive homes of the elites above, in stark contrast with the gloomy, atmospheric depths you and the characters are immersed in from the start. It follows the characters’ survival through illnesses and disability those higher up never have to deal with - and decisions about what it’s worth to them to ‘ascend’. Hopeful, chilling and really well-executed.


Favourite graphic non-fiction 2024:

THE HIDDEN LIFE OF TREES - Peter Wohlleben, Fred Bernard & Benjamin Flao

Truly gorgeous, expressive, large-format adaptation of a book famous a few years ago.

If you’ve already read a lot about forestry or tree science, it won’t necessarily be new information or wildly radical (it’s focused on the author’s experience in Europe, and doesn’t link with indigenous peoples’ movements, for example). But it links together topics wonderfully with art that truly enhances it, and a biographical story that makes it particularly accessible.

Overall the witty, understandable science writing and energetic ink and watercolour really conveys the writers’ passion and wonder at the natural world. A book I keep buying as a gift to try to make other people read it.


Favourite indie/ online comics 2024:

  • THE VOW - Arden Ripley and Julian Cormac
    (300 page, 18+)

Nonbinary enemies romantically/ sexually obsessed with each other, snow, fantasy monsters. Stumbled across this online and really enjoyed it. Just really fun and readable, with off-the-charts chemistry and a compelling dark fantasy romance plot. Even when it’s a genre I don’t often read in prose, I loved it.

Everyone please support indie comics so people can keep making amazing weird stuff like this.


  • Ruin of the House of the Divine Visage - Spire and Eve Greenwood
    (Currently coming out as a free webcomic here)

Forbidden love at a monastery where nobody's allowed to look at each others' faces.

I excitingly got to read this early and give a blurb quote for this comic, which is probably more eloquent than anything new I’d be able to write:


Thanks for reading (this, and generally!)

If you’ve read any of these or have other similar recs, I’m always keen to hear and add to my unreasonably ambitious TBR - you can find me @haridraws, especially on bluesky right now.

  • You can find my goodreads here,

  • and a (free!) blog about the books I’m working on / what I’ve been up to in 2024 here.

Lastly, a big thank-you to readers who’ve been recommending I Shall Never Fall in Love since it came out last month. I’m very honoured it’s been on a few ‘favourite queer/ trans historical fiction’, graphic novel, and ‘Top YA of 2024’ lists including Waterstones(!!) - and although I’ve failed to post about it yet, on the January Indie Next list in the US, too. A huge thanks to all the readers and booksellers including the book on their own lists of 2024, it really does make a difference and you are enormously appreciated.

ISNFIL launch and Q&A extras

I Shall Never Fall in Love is out now internationally!

My chronic illness makes events very difficult, but I was able to figure out an immune-safer signing with the wonderful Portobello books (coming in to sign before shop opening!) …

The dedicated and extra signed copies both sold out, thank you!!

…as well as a UK virtual launch with the excellent Lighthouse books, and cool and famous author host Lex Croucher. Thanks so much to everyone that came - there were lots of questions we didn’t get to, plus a few FAQs I’ve been getting, and I thought it’d be nice to collect and answer those below!

First: Enthusiasm is everything

One thing we discussed in the event is how making a graphic novel with a publisher differed from self-publishing and webcomics, and I said it was basically the same.

What I meant really is that the process is really similar, but of course the reaction - no longer getting live updates from readers and excited comments - is totally different! So after the experience of working privately on this book for so long, every comment, message and photo from people who’ve got their copies or are excited for the US release are all massively appreciated.

The author St John Starling recently said on a post that “Evidence that other people are interested in a project is vital to its survival” - though he was talking about indie projects specifically, as a disabled author who’s mostly bedbound and not able to be out at book events or conventions, it'’s definitely true for me, too!

Q&A extras: on writing and making comics

* From James - How do you deal with pages which seemed simple in the thumbnail stage but turned out difficult?

I draw quite a lot at the first thumbnail rough stage, so usualy know when a page will be a nightmare. I just think ‘oh that’ll be a problem for future Hari’ and then curse myself later.

Here are some pictures of classic ‘I’ll figure that out later’ background nightmares I left for myself while making this book.

* From Haleandwellmet - question: At what point in the idea process for a story do you decide 'this is going to become a graphic novel' as opposed to any other medium or even just an idea you dont develop further?

Usually every story that gets past first scraps is something I really love and want to keep developing fully! Even when I’m just imagining first ideas, I know whether I want an idea to be comics or prose. The storytelling is a different mode in my brain - you can just fit less scenes in a graphic novel, but there’s this massive amount of atmosphere and emotion the visuals and body language coming across. Each medium has different strengths, and I end up wanting to tell different kinds of story with each.

* From Sally - I absolutely love the multitude of wonderful representations in your stories (…) do you also consider the various potential neurodivergences of your characters?
 (…)

Yeah, there are definitely certain stories where I am considering that quite consciously, and others (like ISNFIL, actually) where I’m just thinking more broadly about how different characters might think or be able to approach things.

To some extent I like leaving neurodivergence - and queerness - up to the reader to interpret in the stories themselves, to open up ways people could read them. Both seem like such broad spectrums with such a wide range of experience, and with different unexpected places those experiences might converge or relate, which I find really interesting.

* @ThetarotibleWitch- fun first, what your fave outfit and fave food you’ve ever drawn (hopefully it’s published)? Serious- what was the evolution of discovering fae emotional flora in Finding Home? Would love to hear about the research process as well!

No idea about favourite outfit, I think I’m always chasing being able to draw outfits better. Favourite food I’ve ever drawn is probably just everything in Finding Home, that was almost all things I was specifically wishing I could make and eat at the time.

And the flower meanings in Finding Home are a combination of victorian flower language and other global symbolisms, particularly South Asian. I’m afraid any notes keeping track of the exact (many) books or web pages I used seem to be long gone, as it was about 8 years ago now, which is strange to think about! Nowadays I try to keep track of research stuff much better.


Q&A extras: on writing historical settings

Using real places?

* quizzicalqueek - I wondered how much of the setting is based on real places (…) I've been to Peaslake and Chilworth and it was fun to see them referenced. Does your Chilworth Manor reflect the real one, or did you change it for the novel? Did you have a particular hill in mind for them to climb in Peaslake?

In the event, Lex asked about whether I use real buildings (the answer is usually no, I spend WAY too long making them up).

In terms of place names, those are all taken from real-life Surrey, it’s cool to see someone noticed! But I like things being one step from reality, so they’re combining names with other references I thought worked nicely with the plot, and it’s not one particular hill or to do with the real Chilworth Manor at all - I just thought chill+worth were appropriate for the mood I wanted for the place...

Chronic illness in old books

* quizzicalqueek - I'd be really interested to hear your thoughts on how chronic illness is portrayed in Austen and similar works, and if/how that affected how you wrote Eleanor's father

Okay… I have an essay of thoughts on this and will try to be brief! I think there are absolutely Austen and other classic books (and adaptations!) that do have chronically ill characters painted as hypochondriacs.

I can’t find it now, partly because there are loads, but I read a very interesting journal article about the portrayal of chronic illness in Jane Austen novels while I was making this book. One thing it suggested was that the author becomes more sympathetic in her later books like Persuasion, at a time where she herself was becoming seriously ill. (Which I think is true! I find the bedbound character in Persuasion really interesting.)

In this book, I was interested in taking the more ‘silly’ ill character trope and making it a bit clearer that he does have physical health issues on top of anxiety problems he can’t help. But this book’s kind of from the younger generation’s point of view, and doesn’t explore it in a lot of depth - it’s something I’d LOVE to explore fully in a future book.

Honestly, characters having serious, lifelong health issues that doctors can’t help with seems way more common in 19thC literature than modern media. As one of the many millions of people who lives with severe chronic health issues every day, it’s definitely part of what interests me in the period.

Unexpected history facts

* From Lynn - what has been your most favourite and unexpected fact - or thing to draw - that you’ve uncovered about the time period?

In the event I talked about how much Black and queer history was new to me, and why I wanted to put it in the back of the book. (There’s an illustrated summary of the history section here!)

But on a less serious note, some of my favourite more random facts are about how dark it was pre-electric lighting, but people still just read and moved about in the dark.

Parties got held on the full moon so you could walk home easier in the dark. And you see a lot of lower wall panelling/ dado rails in old buildings here, because pre-1800s (before this book, really) chairs would be kept against the wall until they were needed and pulled out, so you didn’t run into them in the dark of candlelight.

More historicals…?

* From Emma - do you have your sights on any other historical time periods to explore for a future graphic novel?

Because I’ve been researching this specific time, my biggest historical interest right now is only 20 or so years earlier, towards the start of the Napoleonic wars, and I’ll use this chance to post some teaser pics of an idea in progress…

I also love the idea of incorporating Renaissance European fashion and energy into fantasy stories that are more specific than general-faux-medeival, but combined with other historical cultures and modern elements.

But both of the big ideas pictured are still cooking, and most of the art for them is only on Patreon for now!



Shortbox 2024: vibey queer fantasy comics, and other recs

It’s the online comics event of the year: Shortbox online comics festival is upon us, for the month of October ONLY.

These are pretty specific to my own tastes, but there are a huge variety of genres, vibes and stories from some of the most exciting comics creators around, really showing off the incredible possibilities of the medium.

There are a LOT more I want to get and read, but wanted to shout out a few I’ve read and particularly enjoyed so far, while they’re still available…

1. FANTASY-ISH: Magical, vibey / dreamy (and queer)

Mythic, historical, romantic-feeling

Last crane / Narsid

Just beautiful colouring in a way that really serves this dreamy, emotional story, where someone lives in the wake of their divine partner leaving the earth.

Blade of the Fane / Theo Stultz

Last year this artist did ‘A Quiet End to the Mundane Age’ - both are very atmospheric, slow-paced historical-ish romance/ fantasy, which took me a bit to really get into, and then I LOVED. Once it’s in the swing, the romance is just 2 people drawn to each other that works great, and the dramatic moments hit SO hard. Also just some incredible swords and buildings and colours.

The creator also made an amazing retro looking trailer I truly can’t get over. Should I learn animation? I have plenty of time for that, right?

Compelling, emotional storytelling

Curtain falling / Marty Tina G

Someone is stuck in a fairytale dream that isn’t all it seems. This artist makes lesbian comics with just really good plots. A really good demonstration of how you don’t need every panel to be intricate to tell a compelling story, and another comic that makes me want to drop everything and change my style completely.

Home by the rotting sea / Otava Heikkilä

Two women sent to live with giants adapt to a new life. I think one of my new favourites of Otava’s comics. He has such an interesting, singular voice, unlike anything else I’ve read, and so emotional. Gorgeous and heartfelt and brutal. A beautiful, slow exploration about community, climate and conflict.

Abstract, visual-focused, futuristic

Death fiddles and we dance / Deb JJ Lee

The main character wakes up hundreds of years after their planet was destroyed, on a scavenger ship that’s preserving the life inside. The panelling gets almost totally abstract in a really interesting way that stays admirably readable. Beautiful and decorative

Clair de Lune / Xulia Vicente

The way this comic and colours are done - going in and out of B&W - makes the music feel incredibly magical!! What a powerful visual representation of music!!

I loved the accompanying playlist, too. I played clarinet in orchestras for many years before having health difficulties - so this very visual, at times quite abstract comic was very close to my heart.

2. OTHER GENRES!

HORROR. DISTURBING

Impasto / SJ Miller

You want to read a messed up comic? Have I got the one for you. Edwardian house, homoerotic vibe, really well-crafted story, incredibly disturbing horror.

FUN AND SILLY

Pretty good wizard / Claire Weber

Great. Just really good. Everyone should read this. horseshoe crab is my new favourite character ever

Hearth’s haunting / Jean Wei

Sweet! Comforting! He’s just been through a breakup! AND HIS STOVE IS HAUNTED!

Alas / Sajan Rai

Sajan makes incredibly funny comics full of the most awful little guys you’ve ever seen. Fun but not in a cosy/ comforting way, more “warning (/ advertising) for gore and shakespeare snacking on teeth”.

Last on this list, but the one I IMMEDIATELY went to buy and read first, and it did NOT disappoint. Sajan is one of my favourite artists, and I’m not sure it’s fair that he’s so good at comics, too.

Queer graphic novel recs, summer 2024

Summer graphic novel releases I’ve been reading - with queer themes, creators, or characters!

Brownstone

This might be my favourite graphic novel I read this year.

A young teen who’s never known the Guatemalan side of her family is left alone with the dad she barely knows - and can barely speak to in broken Spanish - for a whole summer as he does up a house. She starts out reluctant and surly, feeling like an outcast in the Latin American neighbourhood (it’s hard not to feel like ‘try to connect!!!’ but that’s literally the whole point and she’s 14).

Read because I love this artist and it was even better than I expected. Super-strong cartooning, beautiful flow to the pages. The little moments of connection that overcome cultural and language differences were so beautiful. The plot was great and made me cry. Honestly just such a fantastic book and piece of comics!!


The Ghostkeeper

The main character does his best to coach ghosts through therapy instead of forcibly exorcising them, which people in the local town DO NOT LIKE.

The world works well and the portrayal of the character’s burnout hit very hard! The feeling like he’s drowning trying to help people and just can’t do enough is done really well.

Read if: you want something sweet, comforting and focused on mental health. (I think some people who liked the sweet parts of Finding Home might enjoy this!)


The Gulf

An extremely expressive book that captures a 00’s teenage runaway, yearning after a way to break out of the confines of society, and live with nature without causing harm.

The teen emotion felt SO real I personally found it frustrating - there’s an aimless ‘Catcher in the Rye’ or ‘Into the Wild’ quality to this book, which aren’t stories I personally vibe with. But I think my frustration speaks to De Souza really hitting something deep and real about childhood and human behaviour.

The small moments of the MC connecting with people and nature felt really beautiful, and so did the adults’ advice and refusal to belittle the teens’ concerns.

Edit: I’ve now also just read Ash’s Cabin by Jen Wang, who did The Prince and the Dressmaker. I feel bad for authors with similar books released at similar times - the style is different, but it’s actually a slightly similar story/ themes but set in present day California and focused on one nonbinary main character - who is more capable and engaged rather than aimless.

Ash feels like they’re the only person who cares about the climate or feels deeply about things, and goes out to survive in the wilderness.

There’s more of a specific focus on real survival and ethnobotany, and the art style is more realist and contained - and very beautiful!! It makes me want to go do a whole graphic novel in watercolour. It doesn’t get deep into the MC’s gender feelings, but I love how much it engages with the difficult reality of the wilderness.

Both reads for: young people, anyone feeling aimless and frustrated, or wanting to break away and find another way to live with nature.


DeadEndia 3

Finally out in the UK, this is the last part of Hamish Steele’s graphic novel trilogy (if you only watched his Netflix show, this volume finishes out the story!)

Extremely fun and silly and warm, while also throwing out nuanced, complex thoughts about queer solidarity and community through the medium of really tight jokes and one-liners.

Hamish’s cartooning is a delight, a read I would recommend to anyone that enjoys fun.


Don’t miss - happening now & coming soon:

Ruin of the House of the Divine Visage - just over a week left on this Kickstarter for a lovely hardback that probably won’t be reprinted!

One man glimpses another’s face in a monastery housing a god where it’s strictly forbidden. The story is SO engaging, the emotion drove me slightly nuts and the worldbuilding is incredibly cool. It’s a webcomic and you can read the start online too:

Buuza! Volume 5 - just about to launch, including bundles for new readers and cheaper earlybird books.

This fantasy slice of life/ queer drama webcomic was recently nominated for an IGNATZ, and with good reason. It has a really fun, easy to read manga/ telenovela feel, but the plot’s also been building together and things are really kicking off at this point in the story. Personally I’m massively excited to have this in my hands.

How do you write a choose-your-own book? Interview about INTO THE DUNGEON and TOWER

I recently did an interview with the Polish publisher of Into the Dungeon and Into the Tower, where I got to talk about D&D, fantasy inspirations, ancient ruins, and the horrible maps I use to try to keep track of the choices in my gamebooks. It was translated into Polish for their own release, but I got permission to post the English version - here it is below!

All book photos from the Polish publisher Muduko’s website!

Interview with Hari Conner – the author of Into the Dungeon

In early June, the choose-your-adventure book „Into the Tower” had its Polish premiere. We took this opportunity to ask Hari Conner – the author of this exceptional gamebook – a few questions.

First of all, tell us what encouraged you to enter the world of choose-your-adventure books when you decided to write your first gamebook, „Into the Dungeon”?

illustration by Letty Wilson

I really love the immersive feeling when it’s your own character exploring a new, unknown place. I played old-school gamebooks like Fighting Fantasy as a kid - they were more like puzzles, with lots of dice rolling and killing monsters.

I wanted to write my own kind of gamebook with more story, and very easy for beginners to understand. Personally I also love weird monsters and non-fighting options in D&D, and games like The Witcher and Baldur’s Gate. So I wanted to have choices for thinking or talking your way through situations as well - or even listening to the monster and siding with them.


Fantasy inspirations

Your gamebooks are set in a dark, mysterious and dangerous world full of secret passages and magical artifacts. Is there any particular reason why fantasy is your genre of choice?

I always loved fantasy since I was a kid - I read Lord of the Rings very young, and a lot of a British kids’ fantasy series called The Edge Chronicles. I loved the dungeons and dark parts, as well as the ordinary characters who really just cared about people and nature, instead of being big strong fighting heroes.

All fiction is already made up, so I always feel, why not make up exciting, impossible things. When you push fiction into a completely different world, sometimes the more abstract setting can let you tell stories that are more about the feelings, whether that’s complex emotions or just anticipation or curiosity.

What inspires your writing the most? Are your books inspired by your favorite authors and books, or is the universe you’ve created  purely a work of your imagination?

Well it’s imagination, but of course every fantasy book I’ve ever read feeds into that - as well as sci-fi, horror and romance, videogames and tv. I wrote Into the Dungeon not long after reading Ursula Le Guin’s Earthsea books - the story isn’t similar at all, but I was inspired because I found the atmosphere and writing so absorbing.

I’m definitely also inspired by real-life strange animals, myths and history. I live just outside Edinburgh, where the castle, cobbled streets and mysterious underground dungeons and tunnels are just part of the city.


Favourite characters?

Playing „Into the Tower”, readers can create their own hero or pick one of four pre-made characters. Is there a character you like the most, for their story or any other reason?

I love them all for different reasons! The thief is a good character if you want to feel really cool while you play. The sailor has a storyline that involves strange magic, which I love, and the most emotional endings, which a lot of readers have told me they really enjoyed. The acolyte has the biggest fantasy ‘end of the world’ main character plot, which I think is great as a later playthrough. And, the libertine is kind of an idiot who did stupid things for love, with charm as their only skill - that’s the kind of character I would play in D&D, so I find that very fun.


Working with illustrations

You are responsible for the story of „Into the Dungeon”, but you were also involved in the process of illustrating the book.  What gives you more satisfaction – spinning all sorts of crazy tales, or creating wonderful art?

illustration by Sajan Rai

I like them both, but actually one of the most satisfying things about these gamebooks is getting to work with some of my favourite artists ever for the guest illustrations. Of course, I enjoy drawing what I wrote. But it’s so cool to bring in an artist to do something they specialise in - for example, Sajan Rai does incredible, fascinating weird sci-fi drawings, much more inventive than anything I could have done. It’s so exciting to see the other artists come back with art that transforms the page into something amazing, or adds a completely new angle. 


How do you write a gamebook?

How are your gamebooks made, and how long does it take? Since a gamebook is not your standard book, could you guide us a bit through the whole process?

For all my books, I usually spend years thinking about it and writing down notes or scenes in between other work. Eventually, I have so many small parts written that I have to make it properly, and spend a few solid months intensely connecting, writing and editing it all. I usually draw the characters and setting early on to work it out.

I make a very big complex ‘map’ alongside writing the book, to show all the different options. When the story is written, there’s then a lot of playtesting with friends to make sure it works and feels fun to play, and the map helps with this - so making sure that if you met a particular character or picked up a certain item, you get special scenes, or maybe even a different ending.

EXTRA GAME DESIGN INFO: The purple arrows are a new layer in photoshop which I use for tracking planning eg. ‘what did X playtester do?’ ‘what routes can Y character reach?’ or ‘which areas can you get to with Z item?’ Other layers are colourcoding for where illustrations might be good, endings that might want revising or cutting, or ‘gates’ where you need a certain eg. logic or strength score to choose an option.

The map helps me think through how the game works - making sure certain pages are easy to hit (or miss), and that only certain characters can access certain areas - so if you play all 4 of them, you end up having to choose a different way to get inside every time.

It looks complicated here, but it helps make it easy to playtest so that in the final, everything goes smoothly and feels intuitive! You picked a strong character? Of course you should be able to jump over that wall. Kissed someone or met the king of woodlice earlier? Now you can access another scene with them later. Picked up [REDACTED HORRORS]? You can’t escape them now! etc.

The final thing is drawing and hiring artists for extra illustrations - I often have dream artists in mind while I’m writing it, and I was very lucky that almost everyone I invited said yes!


Life as an author

How often do you think about your readers while creating your story? Do you aim to invoke any particular feelings, and do you often check how people receive your books?

In this kind of book, thinking about readers is definitely important to make sure choices feel ‘earned’ and not frustrating. I definitely remember reading other gamebooks where you turn left and die suddenly with no warning! And I think it can be fun to read a scary warning, then choose to go into danger anyway. So having lots of play-testers helps to make sure it all works smoothly and feels fun, and to find out what people find most exciting.

I also think you have to follow your heart as a writer, too - it’s good to take trusted feedback, but trying to please every random person will never work. So I try not to check online reader reviews too often, even though the reviews have been very lovely! But it’s always amazing when people send messages to me directly, or tag me in social media posts telling me about what they did on their playthrough or how much they liked it. I love that people sometimes read the books out loud so their friends or kids pick the choices, or draw characters and make backstories!!

Reader review from amazon…

Writing gamebooks is hardly your only activity. What else do you enjoy doing?

The other part of my job is actually writing and illustrating historical and fantasy comics, mostly with a romance plot, so that’s the main thing I do every day. And as you can probably tell, I love reading and games! I’m disabled so it can be difficult, but I also like to find places I can travel with my wheelchair - I love to visit forests and old buildings and ruins, if I can find a way.

What next?

„Into the Tower” is your second gamebook. Are there more in the works, and if so – do you plan to expand on the existing universe, or create something brand new and unexpected?

Actually, at the moment I’m working on a vampire romance gamebook for adults, which is very different!

But I also started notes a while ago for a sci-fi/ fantasy gamebook that’s more similar to the others - also suitable for young readers, and also choosing from several characters with different skills. It’s the same universe, but on different planets. I’ve always loved stories exploring dark and abandoned spaceships, I think it’s actually very similar to a dungeon crawl in atmosphere, and has so many exciting possibilities.

Both of those are in very different settings, but I do have ideas for regular books set in the same fantasy world as Into the Tower, which I hope I get to publish one day, too…


Fantasy for everyone

While translating and editing the Polish edition of „Into the Dungeon”, we’ve made sure that every person can easily immerse themselves in the role of a chosen character.* How important is it to you - a non-binary person - to promote such actions?

*(Polish is a very gendered language, so in the translation, asterisks are used instead of gendered endings so the reader can use any inflection they feel comfortable with.)

When I was younger, the main character in my favourite books and games was never like me, and I didn’t feel welcome in comics and gaming shops or clubs - which can both be a big problem for women and other groups, too.

When games do have more gender options, including for me non-binary options, it’s a huge relief to feel like you’re actually allowed and welcome to be part of that world. It’s hard to describe how different it feels. I definitely wanted that to be a part of my own gamebooks! Part of the fun is imagining your own ideas for your character and exploring that world as them, and I strongly believe everyone should feel included and welcome.


The Polish-language editions of Into the Dungeon and Tower are out now from Muduko publishing!

Find out more about the English versions: Into the Tower || Into the Dungeon || or the German-language translation.

My favourite stories about: THE DEEP

I’m starting preliminary work on a project about the vast ocean, its fathomless depths, and being drawn inexorably down into the dark - as well as thinking about the futility of the imperialist mindset trying to ‘conquer’ nature. Here are some of the books and games me (and co-writer Letty Wilson) have been most obsessed with the ideas in, and I found particularly inspirational on the theme of having a wet, bad time.

BOOKS

QUEER OCEAN HORROR: Emmett Nahil’s From the Belly

A man is cut still-living from the belly of a whale and kept prisoner on a ship where things rapidly start to go wrong and get weird.

Emmett writes queer horror that explores the beautiful and terrible, obsession and the body. Read for ominous growths, portents and prophetic dreams; doomed imperialist arrogance about whaling; and a hot mystery guy who, like the sea, may not be able to love you back.

You can pre-order direct from Tenebrous Press (it’s out May 30th apparently) to support a cool horror small press as well as a cool indie author.

* Full disclosure note: I hired esteemed horror nerd Emmett for his game writing expertise to edit on previous gamebooks (Into the Tower) because I really like his work!


NON-FICTION DEEP SEA: The Brilliant Abyss, by Helen Scales

Fascinating and extremely readable non-fiction about deep sea life, and a bit about the human forces threatening it.

I wish I was able to memorise all the facts from this and keep them in my brain - I ended up making my partner listen to big chunks of the audiobook, because I kept trying to recount all the information back.

Changed how I think about the ocean, and what natural landscapes we think of as ‘valuable.’


LITERARY SF EMOTIONS: Our Wives Under the Sea, by Julia Armfield

A woman’s wife comes back from a deep sea mission Wrong. A story about grief, endings and paralysing anxiety. Beautifully written prose, with a really compelling sense of the characters moving dreamlike through the world, unable to intervene in the inevitable.

On a personal level as someone with a severe chronic illness, the isolating helplessness of how it feels to have or watch a body and mind falling apart - with a system unwilling to help you - made a particular impression.

Really just a banger of a book, everyone I know who read it messaged me like ‘HAVE YOU READ THIS?’ and they were right to.


LITERARY SPACE SCIENCE: In Ascension, by Martin MacInnes

When an unexpected deep-sea mission gets weird and goes wrong, a scientist slowly follows the trail of anomalies into new deep-space exploration.

A sci-fi-later-on climate-y novel with a background of coming to terms with past abuse, and an awe about being part of huge, beautiful natural systems.

This book is philosophical, slow-paced and very interested in the science (listening to the audiobook and having a brief background originally studying astrophysics probably helped my enjoyment. Also warning for sea nerds, it’s only about the ocean at the start.) Not perfect & pretty long - you can honestly skip the first two chapters - but with moments of beautiful and interesting ideas, if you’re up for being patient.


SF HORROR/ THRILLER: The Luminous Dead, by Caitlin Starling

A ‘one last job’ dangerous cave-diving mission to get the MC the money to get off-planet, turned half-psychological horror as she realises her handler on the surface is holding back crucial information. Even as she starts thinking she sees things down in the dark, she crawls deep down into the alien planet, unsure if she’ll be trapped there.

This is cave- rather than sea- diving, claustrophobic, nightmarish and genuinely tense / scary (full warnings here).

The complex horrible lesbians and feeling of obsessively being drawn down into the dark absolutely changed me.


FANTASY WEBCOMIC/ GN HONOURABLE MENTION: Tiger, Tiger by Petra Nordlund

Truly one of my all-time favourite comics ever and I will use any excuse to talk about it, this is an incredibly drawn fantasy comic with a bonus cool and sexy ancient creature / wrathful, awful god brought up from the depths of the ocean in a diving bell.

Free to read (here), with the most awe-inspiring illustration, worldbuilding, queer idiots and extremely funny faces. What more could one look for in a piece of media, I ask you. If I could ever make something 1/10th as good as this comic, I would die happy.


NARRATIVE GAMES

IN DEVELOPMENT: Below and Behold

Felix Miall has been part of a team working on a game about a Clergyship of monks descending deep into the ocean. It doesn’t exist yet, but his ideas and art are always extremely inspiring - if you partake of social media, I strongly suggest following him somewhere so you know what he’s up to.

More pics on his:
- Instagram
- Twitter

* Full disclosure note: Felix is an esteemed beloved creator and deep-sea enthusiast colleague who illustrated on my previous gamebooks. We have both, by yelling about them to each other and through independent accident, enjoyed a lot of the media on this list.


TABLETOP HORRORS: Heart, The City Beneath

Felix was also the illustrator for Grant Howitt / Rowan, Rook & Decard’s RPG Heart, whose manual has the most lush and inventive and awful descriptions of being drawn inexorably downwards towards your doom.

It’s an RPG that’s very good at opening up its worldbuilding for the player or reader to invent more, rather than closing off creative possibilities.

* Another full-disclosure note: just remembered I also designed some pins for Heart, an exciting honour, because I really like Grant’s game writing.


SF SEA EXPLORATION: Subnautica

Actually more of an open-world adventure/explorer than the sort of narrative games I usually play, Subnautica’s atmosphere of being one very small person exploring a vast ocean blew me away.

After a ship crash, you’re trying to explore a planet underwater, looking for what happened to the other escape pods. The exploration and the terror of hearing or glimpsing a huge dangerous creature in the distance alone would make it fantastic, but you also gradually find other clues and audio files left behind and uncover a brilliantly evocative longer history of what happened on this planet and can complete the story.

The game spent a long time in development getting REFINED. A particular mechanic I absolutely love which emerged from that that is that there’s no guns, and almost no point trying to meet the leviathans that lurk in the depths with violence. It leaves you with this incredible impression of the unfathomable indifference of the natural world, how huge and untameable it is, and the need to work alongside as a part of it rather than against it.


MYSTERY SHIP / GAME OF ALL TIME: Return of the Obra Dinn

Me and all my friends’ favourite game. It’s 1807, you’re investigating a ship with all crew dead or missing to determine what fate befell them. Rendered in 1-bit, full of music I’m obsessed with, the game I most wish I could wipe from my memory to play again for the first time. If you can, avoid looking anything up before playing. I heavily blame this game (and The Terror TV show fictionalising the Franklin expedition) for the current fervour of my interest in ships.


Queer graphic novel recs, spring 2024

New comics & upcoming books I'm excited about (with queer characters, themes, romances or authors)…


On Kickstarter for one more week: The Second Safest Mountain

Otava Heikkilä has a really interesting project funding on Kickstarter RIGHT NOW

https://www.kickstarter.com/projects/quindriepress/the-second-safest-mountain

"The Second Safest Mountain is a story about leaving the mountain dedicated to sacred women, and the repercussions of entering the world below. When Aru ventures into the land beneath the mountain, they are soon confronted with what it means to leave the safety of being holy and beloved."

Otava's work is some of the most exciting in comics right now and I'm VERY excited about there being a print version of this visceral, philosophical comic!! A HARDCOVER, NO LESS!!



Just released: BUNT! Striking out on financial aid

Having a queer graphic novel coming out soon-ish in the strange world of mainstream publishing, I've been catching up on a few other recently-released GNs which are at the older / more plot dense end of ‘technically YA’. I especially enjoyed BUNT, which I haven't seen that much hype about, but it's so good???

Personally I do not care about sports, but this comic MADE ME CARE so much and actually yell out loud about the sports drama. Truly a testament to how well-crafted it is.

The premise is a college student has to put together a softball team and win one game to get a scholarship and be able to afford her fees... but all the possible student players are art school nerds.

It turns out I don't understand US art schools (apparently they actually have classes and learn things?? and I don’t know if I’ve ever seen anyone wear cat ears in an educational environment, so not all the nerd references land tbh.) That meant I was a little slow to get into it, but the MOMENT it got into the main Sports plot I was extremely on board.

It's written by Ngozi Ukazu who, if you’re not familiar, did the wildly popular gay sports webcomic Check, Please, and it’s drawn by Mad Rupert who does Sakana - so both of them are basically extremely experienced at comics and very skilled at the FORM.

The comic storytelling is just SO dynamic and strong and inspirational. I also enjoyed the underlying theme of “profit-oriented unis destroying a small town” and “it's genuinely fine to drop out”. And the way it was coloured was amazing, I want to study its low-contrast colour background secrets.


Some stuff to look out for, coming soon

If you're interested in a quiet, introspective look at growing up and exploring queerness through fandom, I’d really rec Sunhead by Alex Assan, out in May.

I also really enjoyed Molly Knox Ostertag's The Deep Dark, a sapphic YA graphic novel but definitely with an older/ darker tone than her other books that I found really compelling, out in June.

(Possibly paywalled but I've… also been enjoying her gay Sherlock Holmes fan comics that are very closely based on the books and short stories.)

And while the pages are only on Patreon right now, in late summer there's a new Quindrie press book coming called Ruin of the House of the Divine Visage that is VERY GOOD. Hard to describe, but it's sort of about forbidden love at a monastery where nobody's allowed to look at each others' faces, only the face of the god who lives at the heart of the monastery. Probably the best way to hear about the crowdfund is subscribing to Quindrie's newsletter.

Ruin of the House of the Divine Visage - preview from the webpage linked above, © Spire Eaton & Eve Greenwood

Favourite comics & graphic novels of 2023

Looking back, I read so many amazing comics this year, most of them new releases - below are my favourites I really recommend!


SIDEBAR IF YOU’RE AN AUDIBLE PERSON: my favourite Book Thing of the year was LIBRO.FM!! It’s an Audible alternative that works almost exactly the same but gives money to local bookshops. It’s now available in the UK (and US & Canada), the switch was extremely easy, I strongly recommend it as an easy thing you can do right now to make positive change!


Probably my favourite book of 2023

  • Boys Weekend - by The Nib editor and cartoonist Mattie Lubchansky

Our transfeminine main character gets invited on a "boys" stag weekend on a lawless vegas-like island in the already-happening near-tech-dystopian slight-future. With the same satirical, witty energy of the The Nib and its non-fiction comics (RIP), this book is extremely funny while also being very real about transness imo, couldn't recommend it more!!


Fun lesbian romance comics. Both about sports, now I think about it

  • Belle of the Ball - by Mari Costa (I also really liked her demon/bodyguard comic The Demon of Beausoleil)

This luso-brazilian artist describes themself as an ‘unhinged lesbian' and just does extremely well-executed, fun, queer, easy to read comics. This book is a YA lesbian romance - it's in a high school and has a love triangle, both tropes I usually hate, but in this case the author has made actually really good somehow. What a magic trick.

  • Grand Slam Romance - by Hicks (artist of various horny butch comics) and their wife!

Messy, silly, funny, everyone's-lesbians (magical girl?) baseball romance with a non-binary butch lead. Definitely 18+ humour. Honestly just very cool to see a mainstream publisher going for an adult romance like this, and I think there's more in the series to come...


Thoughtful and beautiful

  • Salt magic (2021) - Technically children's, very beautifully drawn with dark and emotional themes and a winding Ghibli / strange fairytale energy.

  • LIBERATED - A short, nonfiction graphic novel that simply tells the life of Claude Cahun, a genderqueer jewish artist active in anti-Nazi circles in 1920s-30s Paris.

The story is very movingly portrayed by Kaz Rowe, who is also non-binary and Jewish and makes comics. Kaz is probably better known for running an amazing and massively popular history youtube channel - they do really understandable (but wonderfully nuanced and researched) videos, and also helped with my next book's historical research!


Adult GNs about women with haunted energy

  • Daughters of Ys (2020) - a beautiful, dark retelling of an ancient celtic legend from Breton France. It may look like gorgeous kids' art, but the themes here are adult, dark and weird (and I loved them.)

  • A Guest in the House - by Emily Carroll, master of queer horror comics. A previous dead wife's presence seems to haunt Abby's life with her new husband - alternates between daily life in B&W and fragments of her vivid, unsettling dreams. I found the ending too abrupt, but otherwise this is truly a masterpiece of comics storytelling. Panels are so full of weight and emotion and dread. I would love for my panels to have half as much emotion as Emily Carroll's.

  • Cuckoo - I WAS OBSESSED WITH THIS BOOK. A girl develops weird abilities in an extremely stylish, graphic format that makes the most incredible use of comics as a visual medium. The panelling itself and use of shape lends itself beautifully to the emotions and dreamlike sci fi of the story.

  • The Many Deaths of Laila Starr - the avatar of death is sent to live in Mumbai and forced to live with mortality. A gem from the world of traditional comics (ie floppies, collected in a TP) which is not usually my area, but I tried out since I slightly know the writer (Ram V) from doing a book event together, and I'm SO glad I did. There's also a great review/ essay here by Ritesh Babu about mythic portrayals of death in comics and across Indian cultures!